CURRENT ISSUES OF MUSICOLOGY
| Issue | Title | |
| No 2 (2025) | Russian motives in the opera by Tang Jianping “The dawns here are quiet” (based on the interview with the composer) | Abstract PDF (Rus) |
| Luo Yang, S. V. Bakuto | ||
| No 2 (2025) | The dodecaphonic-sonoristic fantasy “Agnus Dei” by S. Ekimov from the perspective of a dialogue with A. Schoenberg | Abstract PDF (Rus) |
| E. G. Okuneva, S. V. Pimenova | ||
| No 2 (2025) | From the fall to the resurrection: «Pictures at an Exhibition» by M.P. Mussorgsky as interpreted by M.V. Yudina | Abstract PDF (Rus) |
| R. M. Alisova | ||
| No 2 (2025) | Cycle of Yuri Falik “Winter Songs”: word and music to the problem | Abstract PDF (Rus) |
| L. L. Ravikovich | ||
| No 2 (2025) | Thematic processes in Rachmaninov’s early romances | Abstract PDF (Rus) |
| N. M. Naiko, A. A. Zhiltsova | ||
| No 1 (2025) | The principle of polyrefrainity in Concerti grossi by A. Schnittke | Abstract PDF (Rus) |
| M. N. Ostanina | ||
| No 1 (2025) | “A provincial lady” A. Tchaikovsky based on the comedy of the same name by I. Turgenev: to the problem of genre definition | Abstract PDF (Rus) |
| D. M. Ermakova | ||
| No 1 (2025) | Toccata genre in the context of the north german organ art baroque | Abstract PDF (Rus) |
| K. M. Koleevich | ||
| No 1 (2025) | Sacred poetics in the context of musical postminimalism (based on the example of the works of John Tavener and Henryk Gorecki) | Abstract PDF (Rus) |
| V. V. Bass | ||
| No 4 (2024) | “Antony and Cleopatra”: from W. Shakespeare’s play to S. Barber’s opera | Abstract PDF (Rus) |
| O. Yu. Кolpetskaya, S. E. Lavrova | ||
| No 4 (2024) | On some methodological problems of terminology in modern music sinology | Abstract PDF (Rus) |
| M. Yu. Dubrovskaya | ||
| No 4 (2024) | The literary language features of children’s opera scripts by Li Jinhui | Abstract PDF (Rus) |
| Yinchen Xu | ||
| No 4 (2024) | Chinese and Soviet oratorios of the 1930s and 1960s: parallels and intersections | Abstract PDF (Rus) |
| Wenjun Bi | ||
| No 4 (2024) | Music of contemporary composers in the educational activities of Alexander Kamensky | Abstract PDF (Rus) |
| A. D. Reshetnik | ||
| No 4 (2024) | The dramaturgical role of A.G. Schnittke's tango in the film music for the historical drama «Agony» E.G. Klimova | Abstract PDF (Rus) |
| A. A. Sushlyakova | ||
| No 4 (2024) | “Blake Sonata” for piano by Dmitry Smirnov: conceptual and dramaturgical interpretation of the sonata-poem genre | Abstract PDF (Rus) |
| N. Yu. Volobuev | ||
| No 4 (2024) | The artistic universe of O. Meremkulov's concerto for bayan and symphony orchestra | Abstract PDF (Rus) |
| N. M. Naiko | ||
| No 4 (2024) | Provencal troubadours: origins, expressive features of poetic and musical language | Abstract PDF (Rus) |
| L. V. Alexandrova | ||
| No 3 (2024) | Henry Cowell’s “String Piano” in the context of the sound discoveries of the 20th century: theory and performance practice | Abstract PDF (Rus) |
| S. G. Belykh | ||
| No 3 (2024) | The concept of “performing school” in modern research on musical art | Abstract PDF (Rus) |
| E. M. Epova | ||
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