CURRENT ISSUES OF MUSICOLOGY
| Issue | Title | |
| No 3 (2025) | Musical and non-musical content in “The Protecting Veil” by John Tavener | Abstract PDF (Rus) |
| D. A. Eremina | ||
| No 3 (2025) | Chinese calligraphy and avant-garde composition techniques in the works of Liang Lei | Abstract PDF (Rus) |
| Chong Ding | ||
| No 3 (2025) | Opera seasons of the United Dnepropetrovsk and Odessa Opera and Ballet Theatre In Krasnoyarsk during the Great Patriotic War | Abstract PDF (Rus) |
| L. V. Gavrilova | ||
| No 3 (2025) | St. Petersburg composer school in the lens of the journal “Musical Academy” of the turn of the XX–XXI centuries | Abstract PDF (Rus) |
| A. I. Shinkarenko | ||
| No 3 (2025) | Auditory-visual synesthesia in program music by Romantic composers | Abstract PDF (Rus) |
| O. V. Yarosh | ||
| No 3 (2025) | Minimalism in music: problems of definition | Abstract PDF (Rus) |
| D. M. Lutsenko, E. A. Izotova | ||
| No 3 (2025) | The principle of self-similarity and the features of it’s implementation in a musical composition with fractals | Abstract PDF (Rus) |
| Y. A. Yermak, A. A. Tikhomirova | ||
| No 3 (2025) | David Lang’s vocal cycle “Death Speaks”: at the intersection of the academic and the mainstream | Abstract PDF (Rus) |
| A. E. Krom, O. S. Frolova | ||
| No 2 (2025) | Russian motives in the opera by Tang Jianping “The dawns here are quiet” (based on the interview with the composer) | Abstract PDF (Rus) |
| Luo Yang, S. V. Bakuto | ||
| No 2 (2025) | The dodecaphonic-sonoristic fantasy “Agnus Dei” by S. Ekimov from the perspective of a dialogue with A. Schoenberg | Abstract PDF (Rus) |
| E. G. Okuneva, S. V. Pimenova | ||
| No 2 (2025) | From the fall to the resurrection: «Pictures at an Exhibition» by M.P. Mussorgsky as interpreted by M.V. Yudina | Abstract PDF (Rus) |
| R. M. Alisova | ||
| No 2 (2025) | Cycle of Yuri Falik “Winter Songs”: word and music to the problem | Abstract PDF (Rus) |
| L. L. Ravikovich | ||
| No 2 (2025) | Thematic processes in Rachmaninov’s early romances | Abstract PDF (Rus) |
| N. M. Naiko, A. A. Zhiltsova | ||
| No 1 (2025) | The principle of polyrefrainity in Concerti grossi by A. Schnittke | Abstract PDF (Rus) |
| M. N. Ostanina | ||
| No 1 (2025) | “A provincial lady” A. Tchaikovsky based on the comedy of the same name by I. Turgenev: to the problem of genre definition | Abstract PDF (Rus) |
| D. M. Ermakova | ||
| No 1 (2025) | Toccata genre in the context of the north german organ art baroque | Abstract PDF (Rus) |
| K. M. Koleevich | ||
| No 1 (2025) | Sacred poetics in the context of musical postminimalism (based on the example of the works of John Tavener and Henryk Gorecki) | Abstract PDF (Rus) |
| V. V. Bass | ||
| No 4 (2024) | “Antony and Cleopatra”: from W. Shakespeare’s play to S. Barber’s opera | Abstract PDF (Rus) |
| O. Yu. Кolpetskaya, S. E. Lavrova | ||
| No 4 (2024) | On some methodological problems of terminology in modern music sinology | Abstract PDF (Rus) |
| M. Yu. Dubrovskaya | ||
| No 4 (2024) | The literary language features of children’s opera scripts by Li Jinhui | Abstract PDF (Rus) |
| Yinchen Xu | ||
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