ISSUES OF MUSIC PERFORMING ARTS
| Issue | Title | |
| No 3 (2024) | Musical instrument hulusi as a symbol of China’s cultural identity | Abstract PDF (Rus) |
| A. Yu. Seibert, Zhimin Tu | ||
| No 3 (2024) | On the question of the form and content of the conductor`s manual technique | Abstract PDF (Rus) |
| A. F. Polyakov, O. N. Polyakova | ||
| No 2 (2023) | ANALYSIS OF THE FUNCTIONING OF FOLK WIND INSTRUMENTS OF FLUTE AND TONGUE TYPES IN CHINA | Abstract PDF (Rus) |
| A. Е. Klimenko, Chen Yuqi | ||
| No 2 (2023) | QUESTIONS OF PERFORMING INTERPRETATION OF M. RAVEL’S CHOREOGRAPHIC POEM “WALTZ” IN TRANSCRIPTION FOR PIANO | Abstract PDF (Rus) |
| Wang Biqi | ||
| No 2 (2023) | THE IMAGE OF THE MAIN CHARACTER OF THE CHINESE OPERA “THE GRAY-HAIRED GIRL” IN THE INTERPRETATION OF LEI JIA | Abstract PDF (Rus) |
| S. G. Voitkevich, Khu Minyan | ||
| No 1 (2023) | “Goldberg variations” as interpreted by Lang Lang: on the changes to the “performing protocols” works of I.S. Bach | Abstract PDF (Rus) |
| A. P. Nedospasova, Ge Shiyu | ||
| No 4 (2022) | Sound in reindeer breeding and crafts of ob-ugrians | Abstract PDF (Rus) |
| G. E. Soldatova | ||
| No 4 (2022) | The clavisimbalum – a legendary instrument of the xv century on the concert stage of Novosibirsk | Abstract PDF (Rus) |
| A. P. Bayunov, A. P. Nedospasova | ||
| No 3 (2022) | Role of instructive material in the development of the concert repertoire for clarinet solo | Abstract PDF (Rus) |
| I. V. Zavyalov, M. V. Kholodova | ||
| No 2 (2022) | ARTICULATION IN S. PROKOFIEV’S PIANO COMPOSITIONS | Abstract PDF (Rus) |
| N. M. SMIRNOVA | ||
| No 1 (2022) | Returning to Mozart | Abstract PDF (Rus) |
| M. A. Shaviner | ||
| No 4 (2021) | “Solo for oboe” by Edison Denisov: the features of the stylistics and performing interpretation | Abstract PDF (Rus) |
| E. V. Mashkovskaya | ||
| No 3 (2021) | From “tightness” – to freedom: methodological discussion about topical problems of violin performance | Abstract PDF (Rus) |
| M. I. Benyumov | ||
| No 4 (2020) | Sergei Prokofiev. Ninth Sonata for piano. On the problem of style and interpretation | Abstract PDF (Rus) |
| A. A. Mazina | ||
| No 1 (2019) | Genesis Fragments of the Musical Performance Syncretic Forms Artistic Means | Abstract PDF (Rus) |
| M. Benyumov | ||
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