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| Issue |
Title |
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| No 3 (2024) |
Homo Historicus or Homo Vacuus Memoria: the main trends and dynamics of changes in cultural and historical consciousness |
Abstract
PDF (Rus)
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O. A. Karlova, O. V. Myasoutov |
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| No 3 (2024) |
Cultural models in the play “Flea” by Yevgeny Zamyatin: carnivalization and pantomime |
Abstract
PDF (Rus)
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A. V. Markov, O. A. Shtayn |
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| No 2 (2024) |
Implementation of the Principles of B. Brecht’s “Epic Theater” in the Play by Y. Butusov “Drums in the Night” |
Abstract
PDF (Rus)
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A. D. Shigankova |
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| No 1 (2024) |
The internet culture in cultural discourse: concept, levels of representation |
Abstract
PDF (Rus)
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S. A. Mitasova, Zh. N. Zaitseva |
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| No 4 (2023) |
Portrait genre as a category of the theory of fine arts |
Abstract
PDF (Rus)
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Yu. S. Zamaraeva |
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| No 4 (2023) |
The idea of transformation in F.M. Dostoevsky’s story “The dream of a ridiculous man” |
Abstract
PDF (Rus)
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O. Yu. Zolotuhina |
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| No 3 (2023) |
Forms of translation of cultural values in contemporary art |
Abstract
PDF (Rus)
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S. A. Mitasova |
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| No 2 (2023) |
THE COUNTERCULTURE PHENOMENON IN THE MODERN IRANIAN ART (USING ASGAR FARHADI’S MOTION PICTURES) |
Abstract
PDF (Rus)
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A. P. Movnar, E. A. Sertakova |
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| No 1 (2023) |
Aesthetic byzantine: Yury Borev as an actor in the film “Yaroslav the Wise” by G. Kokhan |
Abstract
PDF (Rus)
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A. V. Markov |
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| No 4 (2022) |
V.P. Astafyev’s religious search at the last stage of the writer's work |
Abstract
PDF (Rus)
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O. Ju. Zolotuhina |
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| No 3 (2022) |
Image of the mountain in the Chinese landscape painting Shan Shui in terms of concepts of Dao philosophy and “spatial art” |
Abstract
PDF (Rus)
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Li Xiaopei |
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| No 3 (2022) |
Soviet constructivism as revolutionary art of the 20th century (historiographic aspect) |
Abstract
PDF (Rus)
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E. Sh. Badzgaradze, N. V. Kozhina |
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| No 1 (2022) |
Ethnic images of Jesus Christ as a means of intercultural communication |
Abstract
PDF (Rus)
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S. A. Mitasova |
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| No 1 (2022) |
The problem of national identity in the modern Chinese cinematographer (Main China, Hong Kong, Taiwan) |
Abstract
PDF (Rus)
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E. A. Sertakova, R. E. Khusnullina |
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| No 1 (2022) |
Film trilogy “Katsi”: experience of joint work of Godfrey Reggio and Philip Glass |
Abstract
PDF (Rus)
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A. O. Kozyrev, S. V. Lavrova |
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| No 1 (2022) |
Literary works Russian sculptors of the XX century |
Abstract
PDF (Rus)
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I. V. Tsarinny |
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| No 4 (2021) |
The mechanism of social destruction in the American cinematograph of the 1970s. (on the material of the film analysis of F.F. Koppola) |
Abstract
PDF (Rus)
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E. A. Sertakova, T. I. Plisko |
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| No 3 (2021) |
Ecphrasis in the story of A.S. Pushkin “The station inspector” |
Abstract
PDF (Rus)
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O. Yu. Zolotuhina |
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| No 2 (2021) |
What is art: modern meanings and challenges |
Abstract
PDF (Rus)
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M. V. Moskalyuk |
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| No 1 (2021) |
A Rare Iconographic Plot of Modern Orthodox Iconography «Bear Each Other's Burdens» in the Context of the National Cultural «Carrying the Cross» Concept |
Abstract
PDF (Rus)
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S. A. Mitasova |
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