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No 4 (2020)
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VOCATIONAL EDUCATION IN CULTURE AND ART

12-17 460
Abstract

The article is devoted to the 100th anniversary of the regional state budget professional educational institution "P. I. Ivanov-Radkevich Krasnoyarsk College of Arts", which made a great contribution to the cultural life of Siberia. The history of its origin, formation and development is described. The research method is an analysis of the formation of the Krasnoyarsk State College of Arts in the historical context. Research boundaries - a chronological framework covering the period from the 1970s to the present. Among the famous graduates of the College are Timofey Spivak, Ivan Korytov, Roman Ridzel, Dmitry Zlobin, Vasily Selyukov and others, who are proud not only within Russia, but also abroad. The teaching staff of the College – Larisa Arefieva, Elena Andreyevna Gorelova. The author of the article expresses his sincere hope that the Ministry of culture will revive the "forge" of musical and theatrical personnel, and many more future theater stars will come out of the walls of the College of arts, which will sparkle in the sky of Russian theaters.

FINE AND DECORATIVE ARTS AND ARCHITECTURE

5-11 381
Abstract

The main part of the article is devoted to the peculiarities of conducting tasks for creating jewelry plastics in the framework of the discipline «Design» at the Department of «Art ceramics». A small excursion into history introduces the reader to the origins of this task: the creative workshops of the Department. Plastic jewelry as «art-object» the main direction of creative search, main stages in the work on the subject, from rapid sketches to full implementation of the project in the material, Tradition and innovation in theme development. The example of a set of jewelry is a detailed study of the construction of a multi-part, multi-part composition, with all its features and difficulties. There are presented main trends in jewelry and porcelain jewelry.

ISSUES OF MUSIC PERFORMING ARTS

18-23 624
Abstract

The article examines the content and style features of Sergei Prokofiev's last Sonata in the context of the evolution of his Sonata work. The ninth Sonata, which appeared after the famous and grandiose "Triad", is a special composition in its content, writing style and constructive solutions, in which the Mature and venerable composer unexpectedly made a turn towards chamber writing, characteristic of the lyrics of the early period of creativity. The performance of this work is associated with a number of inherent difficulties. The author of the article suggests that performers of the Sonata should rely on objective data in their interpretation: first of all, on the musical text and specific author's instructions in it. The lack of the Sonata is dramatic conflict images, the predominance of "episodes of static" over "action moments" and the structural features of its forms require great precision of tempo-rhythmic and dynamic ratios of all structural elements of the Sonata, which is a necessary condition for achieving wholeness for the performing forms of work. The chamber style of the composer's writing of this work should also correspond to the style of performance. Restriction in external manifestations and, above all, "moderation" in the entire complex of musical expressiveness used by the author obliges the performer of the Sonata to compensate for this restraint with the internal energy of intonation, careful study and detailing of the musical material in terms of articulation, color, pedalisation, and technical quality of performance. In addition to identifying General approaches to solving difficult performing tasks, the article provides some practical recommendations for performers.

THEORY AND HISTORY OF CULTURE

24-31 510
Abstract

Bangkok Chinatown is one of the most powerful centers of attraction for Chinese immigrants in the world. The unique history of this area has made a significant contribution to the development of Bangkok transport infrastructure, influenced the ethnic composition of the population, and brought cultural diversity to the way of life of society. Cultural traditions accumulated by the Chinese for many centuries, not only were not lost, but also found a fertile ground for their own development. Today, Bangkok Chinatown has a high tourist attraction. This is a place where you can not only taste delicious Chinese food, listen to traditional Chinese music, buy various goods from China, but also enjoy the unique urban atmosphere. The abundance of pagodas, carved decorative dragons, and hieroglyphic inscriptions makes a deep emotional impression on guests. Numerous Chinatowns in various countries of the world allow Chinese immigrants to maintain a stable connection with their cultural past, contributing to the unity of a rather disparate Chinese nation, in whatever part of the world its representatives would not be located. This research will help to form a more complete picture of the spread of Chinese emigrant culture in the world.



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ISSN 2687-1106 (Online)