Old in new and vice versa
Abstract
This article addresses a wide range of issues related to the topic of continuity in music. The author of the work on the example of piano heritage makes an attempt to connect a number of multi-genre compositions of composers of different eras and styles, demonstrating unexpected, sometimes unique phenomena of the so-called “direct dialogue” far from each other periods in the history of world musical culture. This phenomenon – “memories of the future” or “vice versa” – seems extremely important for reflection, because it makes it possible to trace the origins of similar creative ideas and artistic discoveries in various aspects of composer writing, which, in turn, allows you to clarify the role and significance of a number of creative potentials and innovations of major figures in the history of music.
About the Author
M. A. Shaviner
Buchman-Meta Graduate School of Music at Tel Aviv
University
Israel
Israel
Mark A. Shaviner, Cand. Sc. (Art Criticism), Full Professor
References
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Review
For citations:
Shaviner M.A. Old in new and vice versa. ARTE. 2021;(2):27-38. (In Russ.)
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