Principle of monothematism in Concerto-symphony for cello, piano and orchestra by O. Meremkulov
Abstract
This article examines the musical themes of Concerto-symphony for cello, piano and orchestra by the Krasnoyarsk composer O. Meremkulov. Its musical material has a one constructive basis – the thematic complex “Pain” from the beginning of the first Concerto part. In later parts this complex is developing. Different types of expression are formed using tone, pitch, volume, tempo, rhythm, texture adjustment, horizontal and vertical combination of musical intervals, melody characteristics. Free metamorphosis of the based complex in Concerto-symphony parts form a line of development, that corresponds to conditional plot. Availability of principle of monothematism adds dynamism and integrity to the large composition.
About the Author
N. M. Nayko
Dmitry Hvorostovsky Siberian State Academy of Arts
Russian Federation
Russian Federation
Natalia M. Nayko, Cand. Sc. (Art Criticism), Professor, Head at the Department of Music Theory and Composition
Krasnoyarsk
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Review
For citations:
Nayko N.M. Principle of monothematism in Concerto-symphony for cello, piano and orchestra by O. Meremkulov. ARTE. 2021;(4):36-48. (In Russ.)
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