String performance and People's Conservatory (Music College) Krasnoyarsk in the 1920s.
Abstract
The article is devoted to the analysis of the development of the academic traditions of bowed string performance in Krasnoyarsk in the first decade of Soviet power through the prism of the system-forming phenomenon of the stage under consideration - the cultural activity of the first musical educational institution on the Yenisei, the People's Conservatory, which later became the Musical College. Methodologically, the article is based on the principle of historicism, elements of systemic, sociocultural and anthropological approaches are used, source study, descriptive, comparative historical and systemic analysis are selected as the leading methods. Based on archival materials and published research, the authors highlight the results of large-scale cultural Bolshevik construction in Krasnoyarsk, the first decade of the string department of the People's Conservatory (Music College), naming the names of musicians involved in the formation and development of local professional stringed and bowed education and performance. Specific examples demonstrate the role of personality in shaping the musical life of the province. According to the authors, the 1920s represent a special page in the history of stringed and bowed performance in Krasnoyarsk, where the professionalization of art becomes the main process, which unfolds in this locus mainly through the People's Conservatory, which became the largest creative (not only educational) center of the region during the specified period.
Keywords
string performance,
musical life,
People's Conservatory,
Musical College,
P.I. Ivanov-Radkevich,
A.L. Markson,
P.I. Slovtsov,
N.N. Tikhonov,
S.F. Abayantsev,
Krasnoyarsk
Supporting agencies: The study was carried out with the financial support of the Russian Foundation for Basic Research, the Government of the Krasnoyarsk Territory, the Krasnoyarsk Regional Science Fund as part of scientific project “Art education as the foundation of the artistic life of Siberia” No. 19-412- 240002.
About the Authors
E. S. Tsareva
Dmitry Hvorostovsky Siberian State Academy of Arts
Russian Federation
Russian Federation
Evgeniya S. Tsareva, Cand. Sc. (Art Criticism), Associate Professor, Acting head Department of Orchestral Stringed Instruments
Krasnoyarsk, 660049
M. I. Pavlova
Dmitry Hvorostovsky Siberian State Academy of Arts
Russian Federation
Russian Federation
Maria I. Pavlova, undergraduate student of the Department of Orchestral Stringed Instruments
Krasnoyarsk, 660049
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Review
For citations:
Tsareva E.S., Pavlova M.I. String performance and People's Conservatory (Music College) Krasnoyarsk in the 1920s. ARTE. 2021;(3):71-79. (In Russ.)
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