Ethnographic motive and artistic image of the fine art works
Abstract
The article examines the process of forming an ethnographic motive at works of fine art on example of “Osuohkai” by Evgeniy Porotov and Yulia Porotova. The research is based on the semiotic analysis of the fine arts language, which allows tracing the stages of the formation of a separate trope at an artwork and comparing the features of the ethnographic motive’s formation and formation of an imagery. There is not only a common ideological key, but also single signs coexist at the imagery and ethnographic motive. This work presents a comparison of their meanings. If for an artistic image universal human values have greater importance, then for signs of an ethnographic motive, the entire centuries-old experience of a certain culture is added to the universal one.
About the Author
A. P. Grishchenko
Dmitry Hvorostovsky Siberian State Academy of Arts
Russian Federation
Russian Federation
Anastasia P. Grishchenko, Postgraduate, Specialist of the
Siberian Art Research Center
Krasnoyarsk, 660049
References
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Review
For citations:
Grishchenko A.P. Ethnographic motive and artistic image of the fine art works. ARTE. 2021;(2):106-113. (In Russ.)
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