The Opera Studio of the Novosibirsk Conservatory: history and modernity
Abstract
This article provides an overview of the activities of the Opera Studio of the Glinka Novosibirsk State Conservatory. Characteristic features in the work of the Department of Musical Theatre are marked, as well as key figures with whose activities are connected with her work and significant events. The creative personality of the honored artist of the Russian Federation, the former head of the department of musical theatre, Professor E.I. Titkova, her pedagogical and directing principles during her work with the students-vocalists in the Opera Studio is described in a few more details. The author – a former student of the vocal faculty, and now a senior lecturer in the Department of Solo Singing – outlines his own observations and through the prism of personal experience attempted to understand the educational and creative process in the historical aspect. The conclusions summarize the information and suggest that there are general methodical and artistic trends in the development of the Opera Studio at the Department of Musical Theatre of the Glinka Novosibirsk State Conservatory.
About the Author
V. V. Ditenbir
Mikhail Glinka Novosibirsk State Conservatory; Novosibirsk State Academical Opera and Ballet Theatre
Russian Federation
Russian Federation
Viktor V. Ditenbir, Senior Lecturer in the Department of
Solo Singing; soloist
References
1. /“The final of the ‘Siberia Heroic’ project will be held in the regional center”, Ministerstvo kul’tury Novosibirskoi oblasti [Ministry of Culture of Novosibirsk Region], Available at: https://mk.nso.ru/news/7231 (Accessed: 15 April 2021). (in Russ.)
2. / Golovneva, N.I., Drozhzhina, M.N. (2006), “Department of Musical Theatre”, Novosibirskaya konservatoriya – 50 let. Entsiklopedicheskii slovar’ [Novosibirsk Conservatory – 50 years. Encyclopedic Dictionary Glinka Novosibirsk State Conservatoire], Novosibirskaya gosudarstvennaya konservatoriya (akademiya) im. M.I. Glinki, Novosibirsk, pp. 94–96. (in Russ.)
3. /Kirichenko, L.Yu. (2021), “Operetta is my love”, Biblioteka sibirskogo kraevedeniya [Siberian Regional History Library], Available at: (Accessed: 15 April 2021). (in Russ.)
4. / Novosibirskaya gosudarstvennaya konservatoriya im. M. I. Glinki [Glinka Novosibirsk State Conservatory], Official website, Available at: http://www.nsglinka.ru/ (Accessed: 15 April 2021). (in Russ.)
5. / Novosibirskii muzykal’nyi teatr [Novosibirsk Musical Theatre], Official website, Available at: https://muzkom.ru/about/postanovshiki/titkova-eleonora/ (Accessed: 15 April 2021). (in Russ.)
6. / Silant’eva, I.I. (2009), Put’ k intonatsii: Psikhologiya vokal’no-stsenicheskogo perevoploshcheniya [Way to intonation: The psychology of vocal and stage reincarnation], КМК, Moscow, 644 p. (in Russ.)
7. / Lichnoe delo uvolennogo rabotnika Titkovoi E.I. [The personal case of the dismissed employee], Archive of the Novosibirsk State Conservatory by I. M.I. Glinka, F. R-1801, op. 5, с. 15, pp. 160–161. (in Russ.)
Review
For citations:
Ditenbir V.V. The Opera Studio of the Novosibirsk Conservatory: history and modernity. ARTE. 2021;(2):88-95. (In Russ.)
Views:
407
Email this article 