Works for the flute of Jacques Ibert in the context of life and creativity
Abstract
This article presents the work of the french composer of the XX century Jacques Ibert for the flute. Closely belonging to the circle of composers of the Six group, his works trace the features of urbanism. But at the same time, a feature of his work is the synthesis of different artistic directions of the first half of the twentieth century, such as impressionism and neoclassicism. The identification of this style feature of the composer’s work is the goal of the study. An example of such a combination of different directions is the Concert and Play for the flute. The study showed that the identified features of various directions presented in Iber’s work constitute a single whole, an organic alloy, which is distinguished by a bright individual character, a unique style characteristic of the work of the french master.
About the Authors
N. А. ElovskayaRussian Federation
Natalya А. Elovskaya, Associate Professor
Krasnoyarsk, 660049
T. V. Ryabova
Russian Federation
Tamara V. Ryabova, artist
664000, Irkutsk
References
1. /Filenko, G. (1983), Francuzskaja muzyka pervoj poloviny XX veka [French music of the first half of the twentieth century], Moscow, Muzyka, 230 p. (in Russ.)
2. / Shneerson, G. (1964), Francuzskaja muzyka XX veka [French music of the twentieth century], Moscow, Muzyka, 575 p. (in Russ.)
3. /Holodova, M.V., Kolpeckaja, O.Ju. (2020), “Art world of the play to André Jolive “Song of Linos” for the flute and the piano”, Iskusstvo i obrazovanie [Art and education], no. 2 (124), p. 25–35. (in Russ.)
4. / Berger, M. (2013), Guide to chamber music, Courier Corporation, 380 p. (in Eng.)
Review
For citations:
Elovskaya N.А., Ryabova T.V. Works for the flute of Jacques Ibert in the context of life and creativity. ARTE. 2021;(2):39-46. (In Russ.)