Animalistics in the technique of oil painting (to the question of means of expression artistic image)
Abstract
The work is devoted to the study of the issue of drawing attention to the world of wildlife through the art of oil painting. The special importance of detailing the skin of animals is emphasized, since this is one of the ways to achieve artistic bulge and vivacity of the animal image. The author means that increasing the detail of the skin significantly affects the realism and depth of the image, and, in turn, the visual perception. The work analyzed some existing approaches in the image of animals, allowing to identify their predominant features and disadvantages. The most effective techniques used to enhance expressiveness by detailing the skin are considered, demonstrating that their careful and systematic use in oil painting increases the level of artistic expression and creates the most memorable visual experience for viewers.
About the Author
K. V. ParukavaBelarus
Master of Science, Independent researcher, Honorary Member of the International Academy of Contemporary Arts, Member of the Eurasian Art Union of the section “Traditional Arts”
Vitebsk, 210032
References
1. Bammes, G. (2011), Izobrazhenie zhivotnykh [Image of animals], Diton, Moscow, 233 p. (in Russ.)
2. Beda, G.V. (2007), Zhivopis’ [Painting], Prosveschenie, Moscow, 191 p. (in Russ.)
3. Vatagin, V.A. (1957), Izobrazhenie zhivotnogo [Image of an animal], Iskusstvo, Moscow, 170 p. (in Russ.)
4. Kirtser, Yu.M. (2005), Risunok i zhivopis’ [Drawing and painting], Vysshaya shkola, Moscow, 272 p. (in Russ.)
5. Parukova, E.V. (2022), “The specifics of the artistic method in the animalistic genre of fine arts”, Arts education and science, No. 4(33), pp. 79–84. (in Russ.)
6. Portnova, I.V. (2011), “Animal art of the twentieth century. Ways of development”, World of science, culture, education, No. 4 (29), pp. 342–344. (in Russ.)
7. Portnova, I.V. (2009), “The process of work of an animal artist: specifics, materials and features of creativity”, Proceedings of the Samara Scientific Center of the Russian Academy of Sciences, Vol. 11, No. 4 (6), pp. 1077–1082. (in Russ.)
8. Feinberg, L.E. (2021), Sekrety zhivopisi staryh masterov [Secrets of painting by old masters], Lan’: Planeta muzyki, St. Petersburg, 368 p. (in Russ.)
9. Shadurin, A.V. (2007), Materialy i tehnika zhivopisi: uchebno- metodicheskoe posobie [Materials and painting technique: accounting and methodological manual], Izdatel’stvo AltGTU, Barnaul, 105 p. (in Russ.)
10. Shashkov, Yu.P. (2006), Zhivopis’ i ee sredstva: Uchebnoe posobie dlya vuzov [Painting and its means: Textbook for universities], Akademicheskiy Proekt: Triksta, Moscow, 128 p. (in Russ.)
Review
For citations:
Parukava K.V. Animalistics in the technique of oil painting (to the question of means of expression artistic image). ARTE. 2023;(3):93-101. (In Russ.)
Views:
326
Email this article 