Implementation of the ancient ritual rites in the works of composers of Uzbekistan
Abstract
The musical art of the Uzbek people related with the spiritual heritage of their ancestors. It forms an ideological and content side of the works of folklore and professional creativity (makoms, katta ashula, dastans) and compositions of modern authors. In this article, we considered several writings of different years, where the ideas of spiritual revival, moral and ethical improvement acquired a conceptual meaning. The comprehensive analysis of the musical works was revealed “external” signs of the ritual science occupy more important place then expressive side, because it is formed as a result of a religious action recreated on the stage. In the instrumental opuses, the emotional component of the ritual comes to the fore, reflecting the worldview and spiritual state of the participants. Thence we can note the difference in approaches to the implementation of ancient rites, renewal of the genre nature of instrumental compositions and strengthening theatrical features in them. Unifies of the whole opuses the appeal of composers to the history, traditions of their people indicative their cultural identity. This makes it possibility to preserve the spiritual connection between generations, not to interrupt the continuity of traditions, including in the field of the spiritual and moral development of society.
Keywords
About the Author
V. M. Zakirova
Fine Arts Institute of the Academy of Science of the Republic of Uzbekistan
Uzbekistan
Uzbekistan
PhD, Senior Researcher of the Department of Musical Art
100029, Tashkent city
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Review
For citations:
Zakirova V.M. Implementation of the ancient ritual rites in the works of composers of Uzbekistan. ARTE. 2023;(3):41-48. (In Russ.)
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