Printed graphics of Uzbekistan: traditions and modernity
Abstract
The article examines the issues of the formation and development of prints in Uzbekistan, examines the theoretical and practical problems of modern printed graphics in the republic. The study of this topic is due to the relevance of the preservation and development of the print tradition in Uzbekistan. The scientific novelty of the article lies in the fact that for the first time a scientific analysis of the actual problems of modern printed graphics of Uzbekistan is carried out, the author provides a historio-graphical overview of the formation of the national school of printmaking, the features of the development of certain types of printed graphics and the work of national graphic artists are considered. The aim of the work is to study the specifics of the formation of the print in Uzbekistan and to study the actual problems of its development in the context of the modern historical and cultural process. The results of the research are of scientific value in the development of theoretical material on certain issues of the print, as well as for the study of the artistic features of the graphic art of Uzbekistan as a whole.
About the Author
N. A. Yadgarova
Institute of Art Studies, Academy of Sciences of the Republic of Uzbekistan
Uzbekistan
Uzbekistan
Nigora A. Yadgarova, Junior Researcher at the Institute of Art Studies
100047, Tashkent
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Review
For citations:
Yadgarova N.A. Printed graphics of Uzbekistan: traditions and modernity. ARTE. 2022;(1):129-139. (In Russ.)
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