Returning to Mozart
Abstract
Music of W.-A. Mozart often opens with unexpected aspects, the study of which allows you to see a more complete picture of the work of the great composer. The purpose of the proposed work was to touch on the important topic of Mozart's tragic, manifested in special means of musical expressiveness and drama, in particular, in the semantics of tonalities. The author, based on his rich experience as a pianist, teacher andlecturer, reflects on the semantic multidimensional nature of Mozart, its constant attractive power for the performer and researcher. Within the framework of the article, a large number of works are analyzed, parallels are drawn between different instrumental and vocal genres, which allows us to identify a number of writing techniques characteristic of the composer in terms of the chosen angle. The results of the study expand the idea of the possibilities of performing interpretation of Mozart's music and its further creative understanding.
About the Author
M. A. Shaviner
Buchman-Meta Graduate School of Music at Tel Aviv University
Israel
Israel
Mark A. Shaviner, Cand. Sc. (Art Criticism), Professor
References
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Review
For citations:
Shaviner M.A. Returning to Mozart. ARTE. 2022;(1):56-76. (In Russ.)
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