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Ethnographic expeditions as a creative method in the Krasnoyarsk region XX century fine art

Abstract

In this article, the object of attention is an ethnographic expedition, which is defined by the author as a special creative method of artists of the Krasnoyarsk Territory. On the example of individual works by D.I. Karatanov, A.P. Lekachenko, V.I. Meshkova, A.A. Dovnar, V.F. Kapelko, the original approach of Krasnoyarsk painters to the image of the north is considered. A unique alloy of documentary drawing and fiction became the basis for the emergence of new possibilities for depicting the region and allowed the development of a regional art school. The work concludes that the basis of the analyzed creative method is not only the accurate transmission of ethnographic characteristics, but also the artist's personal attitude to the characters represented in the space of the artistic image. It is the author's personal experience and his subjective view that become key factors in identifying the specifics of the ethnographic expedition as the basis of regional art.

About the Author

A. P. Grishchenko
Dmitry Hvorostovsky Siberian State Academy of Arts
Russian Federation

Anastasia P. Grishchenko, Postgraduate, Head of the Siberian Art Research Center

Krasnoyarsk



References

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8. Simanzhenkova, T.K., Serikova T.Yu. (2020), “The genius of the place: representation of the image of the native land in painting (On the example of the work of A.M. Znak, A.V. Kazansky and A.N. Osipov)”, Artikult, Vol. 2, pp. 61–76. (in Russ.)

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Review

For citations:


Grishchenko A.P. Ethnographic expeditions as a creative method in the Krasnoyarsk region XX century fine art. ARTE. 2021;(4):67-74. (In Russ.)

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