French organ music Baroque and organ mass: to the problem of periodization
Abstract
The article first addresses the topic of the periodization of French organ music of the Baroque and the most important genre of the period under consideration – the French organ mass. A review of the special literature showed that the development of the national tradition consisted of several stages. The study found out that in the works of domestic and foreign musicologists various options for the periodization of organ music in France are presented. The systematization of information about the creation of the French organ mass made it possible to conclude that there were their own chronological boundaries for the development of the genre. Doubt is expressed in the opinion established by a number of researchers that in the second half of the 18th century the French organ mass began to degenerate into an organ suite. It is noted that over the specified period of time, the organ mass and suite coexisted simultaneously and could appear in the work of the same composer.
About the Author
L. L. Zaytseva
E.V. Denisov Tomsk College of Music
Russian Federation
Russian Federation
Liliya A. Zajceva, Cand. Sc. (Art Criticism), Lecturer
Tomsk
References
1. Baranova, T.B. (1978), “From the history of organ mass”, Istoriko-teoreticheskie voprosy zapadnoevropejskie muzyki: ot Vozrozhdeniya do romantizma [Historical and theoretical issues of Western European music: from the Renaissance to Romanticism], Muz. ped. in-t im. Gnesinyh, Moscow, vol. 40, pp. 143–157. (in Russ.)
2. Barrera, Juan D. (2017), La musique pour orgue en France a l’age classique, D.M.A. diss., Universite de Strasbourg, 523 р. (in French.)
3. Bocharov, Yu.S. (2013), “On the organ art of France and not only”, Starinnaya muzyka [Ancient music], “Prest”, Moscow, no. 3 (61), pp. 26–30. (in Russ.)
4. Bulycheva, A.V. (2018), Francuzskaya muzyka pervoj poloviny XVIII veka [French music of the first half of the 18th century], NIC “Moskovskaya konservatoriya”, Moscow, 112 p. (in Russ.)
5. Cheburkina, M.N. (2013), Francuzskoe organnoe iskusstvo Barokko: muzyka, organostroenie, ispolnitel'stvo [French organ art Baroque: music, organ building, performing], D. Sc. Thesis, Moscow, 872 p. (in Russ.)
6. Druskin, M.S. (2007), Klavirnaya muzyka Ispanii, Anglii, Niderlandov, Francii, Italii, Germanii XVI–XVIII vekov [Clavier music of Spain, England, the Netherlands, France, Italy, Germany of the XVI–XVIII centuries], vol. 3, Kompozitor – Sankt-Peterburg, St. Petersburg, 752 p. (in Russ.)
7. Dufourcq, N. (1972), Le Livre de l'Orgue francais, 1589–1789, vol. IV, Picard, Paris, 206 р. (in French.)
8. Krivickaya, E.D. (2003), Istoriya francuzskoj organnoj muzyki: ocherki [History of French organ music: essays], Kompozitor, Moscow, 344 p. (in Russ.)
9. Miller, M.R. (2010), The common origin of the German contrapuntal organ school and the French classical organ school from the perspective of organ construction, organ music and organ technique: D.M.A. diss., Florida Atlantic University, 120 р. (in Eng.)
10. Park, S.Y. (2016), The Baroque Offertoire: Apotheosis of the French Organ Art: D.M.A. diss. University of Kansas, 32 р. (in Eng.)
11. Rachon, P. (2009), Alternatim practice in France Organs, Available at: http://www.rachonpiotr.com/wp-content/uploads/2017/06/218_alternatim_practice_in_france_piotr_rachon.pdf (Accessed 11 November 2021). (in Eng.)
12. Rozenshil'd, K.K. (1979), Muzyka vo Francii XVII – nachala XVIII veka [Music in France of the XVII – early XVIII centuries], Muzyka, Moscow, 168 p. (in Russ.)
Review
For citations:
Zaytseva L.L. French organ music Baroque and organ mass: to the problem of periodization. ARTE. 2021;(4):5-11. (In Russ.)
Views:
484
Email this article 