Genesis Fragments of the Musical Performance Syncretic Forms Artistic Means
Abstract
The research article is devoted to the historical origin of the first music means: rhythm, tone, melody, etc. There are emphasized original functions of these means – the organization of the process of performance, music-making. Appearing in a situation of collective music-making, these means serve as an agreement, without which the collective performance is not possible acquiring in the future numerous artistic and expressive functions. These funds remain the basis of its great features, the once historically spawned their organization of the music making process. The research method is genealogical analysis. The first means of music historically arise as, first of all, performing means. In the future, the means acquire the functions of expression and awareness, developing already at the stage of syncretic soundmaking into artistic means in the proper sense. The means of awareness turn sound-making into a multistage process of development.
About the Author
M. Benyumov
Dmitri Hvorostovsky Siberian State Academy of Arts
Russian Federation
Russian Federation
Benyumov Mikhail Candidate of Art Criticism, Professor
honored art worker of the Russian Federation
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For citations:
Benyumov M. Genesis Fragments of the Musical Performance Syncretic Forms Artistic Means. ARTE. 2019;(1):5-16. (In Russ.)
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