Minimalism in music: problems of definition
Abstract
This article is devoted to the topic of minimalism as a musical style and the problems of identifying its distinctive characteristics. Finding in history many examples of works using techniques similar to minimalist music, not all of them can be even indirectly attributed to this direction. Despite this, some of them became the forerunners of the emergence of minimalism in music. An important component of the work is the definition of difficulties in identifying patterns between the compositional parameters of a work and its belonging to the minimalist style, which becomes most obvious when considering specific examples and their historical context. The phenomenon of minimalism as a direction in music is its conceptual component, namely, working with time and movement within a musical work.
About the Authors
D. M. Lutsenko
Moscow State Conservatory named after P.I. Tchaikovsky
Russian Federation
Russian Federation
Darya M. Lutsenko, Assistanttrainee of the Department of Contemporary Music
125009, Moscow
E. A. Izotova
Moscow State Conservatory named after P.I. Tchaikovsky
Russian Federation
Russian Federation
Evgenia A. Izotova, Cand. Sc. (Art Criticism), Associate Professor
125009, Moscow
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Review
For citations:
Lutsenko D.M., Izotova E.A. Minimalism in music: problems of definition. ARTE. 2025;(3):31-38. (In Russ.)
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