Preview

ARTE

Advanced search

Author's and tirage’s in creativity of stonecarver Vladimir Yakovlevich Bakulin

Abstract

The article provides the first overview of the creative activity of Vladimir Yakovlevich Bakulin, one of the leading artist-stonecarver of the Sverdlovsk Factory "Russkie Samotsvety" in the 1960s–1980s. The artist's creative path is examined in detail, including the period of study at the Nizhny Tagil School of Decorative Arts, which significantly influenced the artist's future fate, the main areas of his activity as a stonecutter are revealed, and information about a number of works is provided. Special attention is focused on the features of the artist's Autor works, in contrast to the models developed as part of the factory's product range expansion. As a result of studying more than one hundred pieces, a new view on the creative activity of the stonecutter is proposed, including both labor-intensive author's works from various types of colored stone and in complex techniques, and models for mass production that differ significantly in approach, distinguished by the laconicism of forms in line with the aesthetic program of the 1960s with a gradual increase in decorative elements throughout the 1970s–1980s. Based on the study of the archival data of the plant, statistical information is provided about Vladimir Bakulin as an active participant in the process of expanding and updating the plant's product range. In addition, information is provided about the master's experience in creating jewelry and their compliance with the main trends of the Ural jewelry school of the second half of the 20th century.

About the Author

S. Ye. Vinokurov
Ural Federal University ; Ekaterinburg Museum of Fine Arts
Russian Federation

Sergey Ye. Vinokurov, Cand. Sc. (Art Criticism), Associate Professor of Chair History of Art and Museology; Senior Researcher Decorative Arts Department

Ekaterinburg, 620000; Ekaterinburg, 620014



References

1. / Budrina, L.A. (2022), Fabergé, Konovalenko and the Ural’s stonecutters: myth and history, Iskusstvo Evrazii [The Art of Eurasia], no. 4 (27), pp. 58–71. (In Russ.)

2. / Budrina, L.A. (2023), “A Casket from the Urals’ Gems”. Image, Material, and Function in the Soviet Stone-Cutting Art”, Ural'skii istoricheskii vestnik [Ural Historical Journal], no. 4 (81). pp. 150–156. (In Russ.)

3. / Parnyuk, T.V. (1991), Kamnerez V.Ya. Bakulin [Stonecutter V.Ya. Bakulin], Vneshtorgizdat, Moscow, 8 p. (In Russ.)

4. / Shakinko, I.M, Semenov, V.B. (1976), Zavod «Russkie samotsvety» [Factory “Russkiye Samotcvety”], SredneUral'skoe knizhnoe izdatel'stvo, Sverdlovsk, 304 p. (In Russ.)

5. / Vinokurov, S.E. (2022), “Sverdlovsk factory «Russkiye Samotsvety» (Russian Precious Gems) and Glavyuvelirprom in the 1960s: on the problem of relations”, Iskusstvo Evrazii [The Art of Eurasia], no. 1 (24), pp. 70–77. (In Russ.)

6. / Vinokurov, S.E. (2023), “Corn Fever” in stonecarving Art: a private episode of creativity of the Ural stonecarvers of the 1950s–1960s, Trinadtsatye Tatishchevskie chteniya: materialy Vserossiiskoi nauchno-prakticheskoi konferentsii [Thirteenth Tatishchev Readings: materials of the All-Russian Scientific and Practical Conference, Yekaterinburg], Izdatel'stvo «KVADRAT», Ekaterinburg, pp. 351–357. (In Russ.)

7. / Vinokurov, S.E. (2023), "Vases-“bando” in assortment of the Sverdlovsk factory "Russkiye Samotsvety": to the problem of authority", Khudoyarovskie chteniya: Materialy XI Vserossiiskoi nauchno-prakticheskoi konferentsii, Nizhnii Tagil [Khudoyarov readings: Materials of the XI AllRussian Scientific and Practical Conference], Nizhnetagil'skii muzei-zapovednik "Gornozavodskoi Ural", Nizhnii Tagil, pp. 120–126. (In Russ.)

8. / Vinokurov, S.E. (2024), Sverdlovskii zavod «Russkie samotsvety». 1950-e–1980-e. Tom 2. Tirazhnyi assortiment [Sverdlovsk factory "Russkiye Samotsvety". 1950s–1980s. Volume 2. Production assortment], Nestor-Istoriya, SanktPeterburg, 2024, 272 p. (In Russ.)

9. / Vinokurov, S.E., Budrina, L.A. (2022), "Beauty for Life", Development of Souvenir Assortment of the Sverdlovsk Factory “Russkiye Samotcvety” in 1960s, Mezhdunarodnyi zhurnal issledovanii kul'tury [International Journal of Cultural Research], no. 2(47), pp. 43–57. (In Russ.)

10. /Vinokurov, S.E., Budrina, L.A. (2023), "The myth of space: Interpretation in the Ural stone-cutting art of the 1950s –1980s", Studia Slavica et Balcanica Petropolitana, no. 2, pp. 187–199. (In Russ.)

11. / Vinokurov, S.E., Budrina, L.A. (2024), Masterskaya – artel' – zavod. Kamnereznoe iskusstvo Srednego Urala pervoi poloviny XX veka [Workshop – artel – factory. Stone-cutting art of the Middle Urals of the first half of the 20th century], Nestor-Istoriya, Sankt-Peterburg, 168 p. (In Russ.)


Review

For citations:


Vinokurov S.Ye. Author's and tirage’s in creativity of stonecarver Vladimir Yakovlevich Bakulin. ARTE. 2024;(4):135-146. (In Russ.)

Views: 154


Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 License.


ISSN 2687-1106 (Online)