Portrait genre as a category of the theory of fine arts
Abstract
The article presents the results of a scientific study of the portrait genre as a category of the theory of fine arts based on the analysis of existing concepts of the portrait genre and its typology in the history of aesthetics and philosophy. The problem of the study is the fragmentation of the research approach when determining the specifics of the concept of “portrait” as a category of the theory of fine arts. In this connection, the etymological meaning of the concept “portrait”, the content of the concept “portrait genre”, its specificity and purpose in the theory and history of fine arts were studied, and the correctness of naming a portrait was determined. The theoretical and methodological approaches for conducting the research were: dialectical laws and the theory of reflection by G.V.F. Hegel, the basic principles of the synthetic concept of the ideal D. V. Pivovarov, conceptual provisions of the theory of fine arts V. I. Zhukovsky and N. P. Koptseva.
About the Author
Yu. S. Zamaraeva
Dmitry Khvorostovsky Siberian State Academy of Arts; Siberian Federal University
Russian Federation
Russian Federation
Yulia S. Zamaraeva, D. Sc. (Culturology), Professor of the Department of Cultural Studies and Art History; First Vice-Rector
of Department Music History,
660049, Krasnoyarsk, Russian Federation
660041, Krasnoyarsk, Russian Federation
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Review
For citations:
Zamaraeva Yu.S. Portrait genre as a category of the theory of fine arts. ARTE. 2023;(4):108-117. (In Russ.)
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