Current trends in the work of Krasnoyarsk composers (on the example of the 5th Siberian festival of contemporary music)
Abstract
The article describes the 5th Siberian Festival of Contemporary Music in Krasnoyarsk (November 12 – December 13, 2022). This event showcased contemporary academic music in the Krasnoyarsk concert halls performed for the audience of the 21st century. At first, the article discusses the festival’s concerts and events, which represent the creativity of Syberian composers (especially those from Krasnoyarsk). It highlights concerts with original composers, genres, performers, compositional and performing means and techniques. The focus of the article is on the concerts of MASM (the Moscow Contemporary Music Ensemble). Among other works, they contained performances of works of Vladimir Ponomarev, the chairman of the Krasnoyarsk Department of the Composers’ Union of the Russian Federation, as well as young composers Sergey Shestakov and Alexey Shikhovtsov. The authors interviewed them for the article.
About the Authors
N. V. PerepichRussian Federation
Natalia V. Perepich, Cand. Sc. (Art Criticism), Associate
Professor at the Music Theory and Composition Chair
Krasnoyarsk, 660049
D. V. Sokolovskiy
Russian Federation
Dmitriy V. Sokolovskiy, Deputy Director for Scientific and
Methodological Activities, Krasnoyarsk Regional Research and Training Center of Culture Professionals
Divnogorsk, 663090
References
1. / Busoni, F. (2019), Eskiz novoj estetiki muzykal’nogo iskusstva [A Sketch of a New Aesthetic of Musical Art], 2nd edition, revised, izdatel’stvo “Lan’”; izdatel’stvo “Planeta muzyki”, Saint Petersburg, 40 р. (in Russ.)
2. / Cage, J. (2012), Silence, Biblioteka moskovskogo konceptualizma G. Titova, Vologda, 384 p. (in Russ.)
3. / Foster, H., Krauss, R., Bois, I.-A., Buchlo, B.H.D., Joslit, D. (2021), Iskusstvo s 1900 goda. Modernizm. Antimodernizm. Postmodernizm [Art since 1900. Modernism. Antimodernism. Postmodernism], 3rd Russian edition, revised, Ad Morginem Press: Muzej sovremennogo iskusstva “Garazh”, Moscow, 896 p. (in Russ.)
4. / Galkin, D.V., Kuklina, A.Yu. (2015), “Development of Contemporary Art in the Russian Regions: Global Context and Local Projects”, Vestnik Tomskogo gosudarstvennogo universiteta [Tomsk State University Journal], No. 397, pp. 65–74. (in Russ.)
5. / Kholopov, Yu.N. (2002), “New Paradigms of Musical Aesthetics in the Twentieth Century”, Estetika na perelome kul’turnyh tradicij [Aesthetics at the Turning Point of Cultural Traditions], Izdatel’stvo IF RAN, Moscow, pp. 132–147. (in Russ.)
6. / Roussolo, L. “The Art of Noise”, Available at: https:// monoskop.org/images/c/c2/Russolo_Luigi_%D0%98%D1 %81%D0%BA%D1%83%D1%81%D1%81%D1%82%D0%B 2%D0%BE_%D1%88%D1%83%D0%BC%D0%BE%D0%B2. pdf / (Accessed 11 February 2023). (in Russ.)
7. / Sokal, A., Brickmon, J. (2002), Intellektual’nye ulovki. Kritika filosofii postmoderna [Intellectual Tricks. A Critique of Postmodern Philosophy], “Dom intellektual’noj knigi”, Moscow, 248 p. (in Russ.) 8/ Stravinsky, I.F. (2022), Muzykal’naya poetika. V shesti lekciyah [Musical Poetics. In six lectures], Izdatel’stvo AST, Moscow, 160 p. (in Russ.)
Review
For citations:
Perepich N.V., Sokolovskiy D.V. Current trends in the work of Krasnoyarsk composers (on the example of the 5th Siberian festival of contemporary music). ARTE. 2023;(1):93-101. (In Russ.)