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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">arte</journal-id><journal-title-group><journal-title xml:lang="ru">Электронный научно-исследовательский журнал Сибирского государственного института искусств имени Дмитрия Хворостовского "ARTE"</journal-title><trans-title-group xml:lang="en"><trans-title>ARTE</trans-title></trans-title-group></journal-title-group><issn pub-type="epub">2687-1106</issn><publisher><publisher-name>СГИИ имени Д. Хворостовского</publisher-name></publisher></journal-meta><article-meta><article-id custom-type="elpub" pub-id-type="custom">arte-171</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>ТЕОРИЯ И ИСТОРИЯ КУЛЬТУРЫ, ИСКУССТВА</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>THEORY AND HISTORY OF CULTURE</subject></subj-group></article-categories><title-group><article-title>Советский конструктивизм как революционное искусство XX века (историографический аспект)</article-title><trans-title-group xml:lang="en"><trans-title>Soviet constructivism as revolutionary art of the 20th century (historiographic aspect)</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Бадзгарадзе</surname><given-names>Е. Ш.</given-names></name><name name-style="western" xml:lang="en"><surname>Badzgaradze</surname><given-names>E. Sh.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Бадзгарадзе Екатерина Шмагиевна, магистрант кафедры «Дизайн»</p><p>344002, Ростов-на-Дону</p></bio><bio xml:lang="en"><p>Ekaterina Sh. Badzgaradze, master student of the Department of Design </p><p>Rostov-on-Don, 344002</p></bio><email xlink:type="simple">eka.badzgara@gmail.com</email><xref ref-type="aff" rid="aff-1"/></contrib><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Кожина</surname><given-names>Н. В.</given-names></name><name name-style="western" xml:lang="en"><surname>Kozhina</surname><given-names>N. V.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Кожина Наталья Васильевна, старший преподаватель кафедры «Дизайн»</p><p>344002, Ростов-на-Дону</p></bio><bio xml:lang="en"><p>Natalya V. Kozhina, Senior Lecturer, Department of Design </p><p>Rostov-on-Don, 344002</p></bio><email xlink:type="simple">prirona@mail.ru</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>Донской государственный технический университет</institution><country>Россия</country></aff><aff xml:lang="en"><institution>Don State Technical University</institution><country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2022</year></pub-date><pub-date pub-type="epub"><day>07</day><month>11</month><year>2022</year></pub-date><volume>0</volume><issue>3</issue><fpage>82</fpage><lpage>87</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Бадзгарадзе Е.Ш., Кожина Н.В., 2022</copyright-statement><copyright-year>2022</copyright-year><copyright-holder xml:lang="ru">Бадзгарадзе Е.Ш., Кожина Н.В.</copyright-holder><copyright-holder xml:lang="en">Badzgaradze E.S., Kozhina N.V.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://www.sgiiart.ru/jour/article/view/171">https://www.sgiiart.ru/jour/article/view/171</self-uri><abstract><p>Данная статья посвящена одной из важнейших тем в искусстве, связанных с направлением конструктивизм. Актуальность работы обусловлена тем, что до настоящего времени принципы конструктивизма не потеряли своего значения, а концепции направления стали мощным катализатором для возникновения новых стилей и течений искусства в XX веке, существенно повлияв на изменение художественных и идейных принципов социума. На основе систематизации разрозненного материала в исследовании представлен обзорно-аналитический экскурс становления и развития конструктивизма. В задачи входило рассмотрение генезиса и хронологических этапов направления, изучение сущности, стилевых признаков и идейных концепций конструктивизма и его влияния на мировое искусство; обзор сфер творчества, художественных приемов и идейных черт движения; анализ деятельности художников, архитекторов, дизайнеров, внёсших вклад в развитие конструктивизма.</p></abstract><trans-abstract xml:lang="en"><p>This article is devoted to one of the most important topics in art related to the direction of constructivism. The relevance of the work is due to the fact that until now the principles of constructivism have not lost their significance, and the concepts of direction have become a powerful catalyst for the emergence of new styles and trends of art in the 20th century, significantly affecting the change in the artistic and ideological principles of society. The tasks included considering the genesis and chronological stages of direction, studying the essence, style features and ideological concepts of constructivism and its influence on world art; an overview of the spheres of creativity, artistic techniques and ideological features of the movement; analysis of the activities of artists, architects, designers who contributed to the development of constructivism. Based on the systematization of disparate material, the study presents an overview and analytical excursion of the formation and development of constructivism.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>революция</kwd><kwd>художественное направление</kwd><kwd>конструктивизм</kwd><kwd>конструкция</kwd><kwd>ВХУТЕМАС</kwd><kwd>функциональность</kwd></kwd-group><kwd-group xml:lang="en"><kwd>revolution</kwd><kwd>artistic direction</kwd><kwd>constructivism</kwd><kwd>design</kwd><kwd>VKHUTEMAS</kwd><kwd>functionality</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">/ Арватов Б.И. Искусство и производство. М.: Пролеткульт, 1926. 132 с.</mixed-citation><mixed-citation xml:lang="en">/ Arvatov, B.I. (1926), Iskusstvo i proizvodstvo [Art and production], Proletkult, Moscow, 132 p. 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